"For Jerusalem I chose a palette of earth tones, which symbolize the planting of one's roots, heart and family.
The myriad of colors comie together to emanate a sense of copper, a color that represents the city in song and poetry.
Within an arch at the top of the piece is a menorah, its candles lit.
Along the sides of the work are vignetttes of jersualem .
On one side a stylized frame contains a balcony of the ancient city.
While on the other panel are the walls as they would have been seen during the rule of kings.
At the base is a window containing a ""Hamsa"" for good luck within two decorated columns.
Most of the manuscript is made up of geometric patterns and shapes, all the coloring done in dots."